Blood, Sweat and Tears – Child Is Father to the Man
The debut album by Blood, Sweat and Tears, Child Is Father to the Man, was released a half-century ago today. While later albums by the band contain the radio hits, this one is the realization of founding member Al Kooper’s vision of adding brass and strings to a blues/jazz/pop blend to create a music hybrid not heard before (Chicago Transit Authority was released a little over a year later). The eight man brass section on the album includes trumpeter Randy Brecker. There’s no Spinning Wheel here, but the album doesn’t need it. There’s not a weak track, and it has maintained solid positive critical acclaim throughout the years.
I suppose this is as much of an Al Kooper post as it is a B, S & T post, as the band’s glory years were just around the corner. Al is one of my favorite peripheral (for lack of a better word) musicians in rock history: In 1965, after tricking producer Tom Wilson into letting him onto the session, Kooper improvised the famous Hammond Organ part on Dylan’s Like a Rolling Stone. He then went on to form The Blues Project before establishing Blood, Sweat and Tears. He left the band after this debut album on which he does the majority of lead vocals, and later in the year re-emerged in studio with guitarists Mike Bloomfield and Stephen Stills for the seminal-but not-as-famous-as-it-should-be album, Super Session.
- I Love You More Than You’ll Ever Know
- Morning Glory
- My Days Are Numbered
- Without Her
- Just One Smile
- I Can’t Quit Her
- Meagan’s Gypsy Eyes
- Somethin’ Goin’ On
- House in the Country
- The Modern Adventures of Plato, Diogenes and Freud
- So Much Love/Underture
Did you know:
That the French horn at the beginning of You Can’t Always Get What You Want by the Rolling Stones was played by… AL KOOPER!