It’s time for another end of the month blog cleanup, and
we here at introgroove are not happy with ourselves I’m not too happy with myself. There are definitely some items here that deserved dedicated posts during the course of this month, but I just didn’t get it done. I’ll let you decide which ones they are. Let’s do this and move on to September, where slightly cooler temps and another batch of classic album anniversaries await.
8/10/70: Mothers of Invention – Weasels Ripped My Flesh
This was the Mothers’ seventh album. It’s a mix of studio and live recordings, and is chock full of Zappa improvisation. Retrospective reviews are quite positive. A contemporary review in Billboard called it “far out.” It’s in my collection, and while I enjoy it and find it more accessible than, say, Freak Out!, it has yet to fully click with me.
8/14/70: Hawkwind – Hawkwind
Hawkwind released their self-titled debut on the 14th, and the album is considered a pioneering recording in the space rock genre. It was recorded live in studio. I own the album. I like the album. I think I know what is meant by “space rock,” but I couldn’t really begin to explain it. I mean, like, you know? Yeah. Spacey. As with the Mothers cover above, this one is also far out. Lemmy would appear on their second through fifth albums.
8/17/70: The Band – Stage Fright
We continue with our colorful August 1970 album covers with The Band’s third release, Stage Fright. If not for the legendary status of their first two albums, this one would most likely be thought of in the same light. As it is, Stage Fright is highly regarded to this day, regardless of the fissures that were beginning to appear within the group. The title track and The Shape I’m In are its most well known songs.
8/28/70: The Jackson Five – Single: I’ll Be There
This was the Jackson Five’s first single from their third album (Third Album). It was their fourth number one single in a row, making the group the first to have their first four singles reach the top of the charts. I think Motown was on to something. Great track.
8/26-8/30/1970: Isle of Wight Festival
At the time, this was the largest music festival in history. Estimates range from 600,00-700,000 attendees, dwarfing Woodstock. Some of the many notable performers included Taste (Rory Gallagher), Chicago, Procal Harum, Joni Mitchell, Miles Davis, Ten Years After, Jimi Hendrix, The Doors, ELP, The Who, Sly & the Family Stone, Kris Kristofferson, Donovan, The Pentangle, The Moody Blues, Jethro Tull, Joan Baez, Leonard Cohen, Richie Havens, and a brand new group, Supertramp, among many others.
This was the third consecutive year for the festival on the island, and by that time many of the locals who were opposed to the event taking place there had become organized to the extent that the only location made available to festival planners was at Afton Down, with its large hill overlooking the festival ground which created various issues. The festival spawned a number of individual album and concert documentary releases over the years. For the 75th anniversary perhaps I should do a proper write up of the event.
8/31/70: The Beach Boys – Sunflower
The Beach Boys have been a nice surprise in my music appreciation evolution. There was a time when I assumed all I “needed” was Pet Sounds, Smile Sessions, and a definitive greatest hits compilation for the earlier stuff. I enjoyed those releases for some time before discovering the group hadn’t exactly become passé by the turn of the decade. Well, perhaps they had to the masses, but critically speaking, no. This is a critically acclaimed, very enjoyable album which features songwriting by the entire band, still including Brian Wilson. Its followup a year later, almost to the day, has also aged very well. But for now, yeah, Sunflower.
August 1970: Neil Diamond – Single: Cracklin’ Rosie
Cracklin’ Rosie was Neil’s first number one song on the Billboard Hot 100. It was also his breakthrough in the U.K., where it reached number three. It was written by Diamond and recorded with the Wrecking Crew. I’ve no problem acknowledging the greatness of Neil Diamond’s earlier work. The man can write a song, and he still sells out arenas. I also like his latter day albums that were produced by Rick Rubin.
August 1970: Sugarloaf – Single: Green Eyed Lady
I’ve aways liked this song, particularly the longer version that sometimes reaches the airwaves. It reached number one in Canada and number three in the U.S. It’s a good song to have on while driving down the highway.