12/11/70: John Lennon – Plastic Ono Band
John Lennon ushered in his post-Beatles career 50 years ago today with the stark, bare-bones, powerful, and sometimes harrowing Plastic Ono Band. Production was credited to John, Yoko, and Phil Spector, though the album bears little resemblance to Spector’s multi-layered behemoth by George Harrison which appeared a few weeks earlier. While all of Lennon’s albums are to some degree self/Yoko/Beatles-referential, his solo debut was a scab ripping primal scream therapy session played out on vinyl, and it became a classic.

It’s interesting to me how the ex-Beatles waded into their respective post-Fabs lives. Paul secluded himself at his Scotland farm and wrote and recorded the loose McCartney album earlier in the year as an exercise – with Linda’s help – to pull himself out of his Beatles hangover. George spent months in the studio with Phil Spector and a cast of musicians so numerous he wasn’t even aware of all of them for a few decades. The results included songs of lament over lost friendships as well as further declarations of his spiritual aspirations. Ringo’s musical breakthrough was still a few years away. Then came John’s rather minimalist Plastic Ono Band.

There were many indications in the music world at the turn of the 1970’s that the Flower Power era was over, and John put his own stamp on it with this album. His wounds were deep and went all the way back to childhood. He was barely thirty years old but had lived ten lives by 1970. He had entered an alternative, “primal” therapy developed by Arthur Janov which used screaming more so than analysis as part of one’s healing. Two of the heaviest songs feature this element: the opening track, Mother, and side two’s God. The latter is a paring down of all the things he no longer wants, needs, or believes in, from religion to political cults of personality to Elvis, Dylan, and lastly, the Beatles. He only believed in Yoko and himself by that point, and the world would just have to deal with it.

The rest of the album is no less dramatic in its simplicity with John, Ringo, and Klaus Voormann playing the majority of the instruments. Love is a welcomed respite in the middle of the onslaught, but it’s an emotionally draining affair overall from start to finish. Coincidentally, I’m writing this the day after the 40th anniversary of Lennon’s passing. I played Plastic Ono Band before leaving for work yesterday morning and I’m still feeling it. It’s just as powerful as ever.
Tracklist
Side One:
- Mother
- Hold On
- I Found Out
- Working Class Hero
- Isolation
Side Two:
- Remember
- Love
- Well Well Well
- Look at Me
- God
- My Mummy’s Dead
-Stephen
Great post Stephen…this is my favorite John album hands down. It’s not one to put on at a party but it’s so honest and raw.
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That’s a funny thought: You’re at a nice holiday party or something, and suddenly “Mother” comes on and everyone gets depressed. That’s when you run to the stereo and put McCartney’s “Bip Bop” on.
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Mother…yea that would suck the fun out of any room!
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Or any Yoko Ono song would do more than suck the fun out of the room- it would get everyone out of the room..
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Yoko serves as the end of the party artillery.
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I think it was with old pineapple face- Manny Noriega- they were trying to get him out of the presidential compound by playing non stop Led Zeppelin loud… he would have came out in 5 minutes if they had blasted Miss Ono’s music.
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“Old Pineapple Face”… that is my laugh for today! Oh yea he would have came running out.
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Ringo did a couple of albums in 1970: an album of standards called “Sentimental Journey” and another of country songs called “Beaucoups of Blues.” They didn’t get a whole lot of attention, which is a shame, because they were not too bad. Just thought I’d mention it.
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Thanks John.
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Maybe John’s best solo album- but not his most ‘enjoyable’ listen. Great album though.
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I watched Looking for Lennon tonight. Thank you for that recommendation. That was really deep into his childhood…much deeper than I’ve seen others go…Thanks Stephen!
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You’re welcome. Glad you liked it. I was surprised at how many childhood/young adult friends they interviewed, but it wasn’t like scraping the bottom of the barrel. I’m guessing Lewisohn has thoroughly interviewed all those folks as well.
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They all had a purpose and were pretty honest good and bad. It does show he was the “middle-class” Beatle but his losses piled up within a short span.
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