Yellow Submarine – 50th Music Anniversaries and Other Musings

The Beatles – Yellow Submarine (soundtrack)

To anyone who may scoff at the notion that what the Beatles pulled off during their relatively short existence was anything less than miraculous, and that they were under constant pressure to produce more, more, and more, I offer the example of the sometimes unfairly disregarded soundtrack to the animated film, Yellow Submarine, released this day 50 years ago (January 17 in the UK).

The soundtrack contained four “new” songs, two previously released tracks (the title track had been around for almost three years), plus George Martin’s orchestral score on side two. Its release was delayed so that it wouldn’t interfere with their double album release in November of ’68. The film and album were considered a contract obligation, hence the Beatles didn’t give it the full studio treatment after spending many contentious hours in the studio over the previous two years. Negative to ambivalent critical assessments of the album are a reflection of the group’s attitude toward the project. But is it really an album to be dismissed? Personally, I feel the four previously unreleased songs alone make it worthwhile.

George Harrison’s much-maligned Only a Northern Song had been rejected for inclusion on Sgt. Pepper’s Lonely Hearts Club Band. This turned out to be a good decision, as its replacement was the slightly less-disparaged Harrison track, Within You Without You (as fun as it can be to play the Beatles revisionist “what-if” game, I would never remove Within You Without You from Pepper!). As will surprise nobody who knows my music tastes, I love both of those songs. Yes, Only a Northern Song is cranky George complaining about his place on the group’s songwriting ladder, but it’s a trippy number with a cool organ and sound effects. It fit in well at the time it was recorded, but was already somewhat outdated (by late 60’s standards) by the time the soundtrack was released. McCartney’s All Together Now, written with old dance hall calls for a singalong in mind, may not have been his most creative songwriting effort, but again, look at the standard he had set for himself. Paul considered it a throwaway, but if ever one needs a peppy tune to get a jump-start out of a malaise, this is it.

George’s It’s All Too Much was inspired by the Summer of Love vibe, and is one of my favorite Beatles songs of all time. To me, it’s a perfect combination of grungy guitar, flower power, and a typically positive Beatles message. In my mind, the song’s psychedelic musical soul mate is the Byrds’ Eight Miles High. I only wish they were both ten-plus minutes long.* George’s song was originally eight minutes long but trimmed to a still lengthy for the era 6:25. Only a Northern Song, All Together Now, and It’s All Too Much were all recorded in early 1967. Only John’s Hey Bulldog, which he liked but said was about nothing, was recorded in 1968. Anyone want to remove this song from the Beatles canon? Not I.

It’s hard to get too worked up over contemporary critics’ dismissive attitudes toward this record since the Beatles themselves mostly mailed it in, though they were reportedly more enthusiastic about it after previewing the film. John was vocally opposed to the inclusion of George Martin’s orchestral score, but judging by Lennon’s lackluster participation on the Get Back sessions concurrently taking place at the time of this soundtrack’s release, I don’t know that he had much to offer that would’ve been an improvement in his mind. An EP was considered which would’ve included Across the Universe, but was ditched. With 1999’s reissue of the film came the Yellow Submarine Songtrack, which includes all the Beatles songs used in the film and excludes Martin’s score. I never bothered to pick it up, I guess confirming I’m not the completist I once considered myself to be. Occasionally I let the soundtrack CD play out and find myself enjoying the orchestral tracks. Perhaps I should paint big black holes on my walls for a fuller effect.

*In later incarnations, the Byrds would stretch Eight Miles High into a nearly twenty minute jam session on stage, but Roger McGuinn would only sing the first verse for some reason. I digress.

Tracklist:

Side One:

Yellow Submarine
Only a Northern Song
All Together Now
Hey Bulldog
It’s All Too Much
All You Need is Love

Side Two:

Pepperland
Sea of Time
Sea of Holes
Sea of Monsters
March of the Meanies
Pepperland Laid Waste
Yellow Submarine in Pepperland

-Stephen

https://en.wikipedia.org/wiki/Yellow_Submarine_(album)

Album Review: The Beatles – Yellow Submarine [Remastered]

https://www.allmusic.com/album/yellow-submarine-mw0000668441

https://en.wikipedia.org/wiki/Yellow_Submarine_Songtrack

The Beatles – Movie: Yellow Submarine

The beloved Beatles animated movie made its UK premiere on this day in 1968. The group arrived at the London Pavillion on Piccadilly Circus to a scene reminiscent of the “old days” just a few years earlier for the premiers of A Hard Day’s Night and Help! at the height of Beatlemania.

The film was directed by George Dunning, who supervised over 200 artists for 11 months, and was produced by United Artists and King Features Syndicate. However, aside from performing the songs used in the movie, the only involvement the Beatles themselves had in the film was their brief cameo at the end.

Other actors voiced the Beatles’ parts in the film, and oddly enough it worked out quite well even though they sound nothing like the Beatles. It must have seemed somewhat surreal for them, even with all their previous experiences, to witness their cartoon likenesses on-screen with other actors’ voices portraying them with exaggerated Liverpudlian accents, let alone in a large, packed theater for a gala event such as that. Whatever they may have thought of it at the time, I’ve yet to read or hear a subsequent interview with any of the four who said anything negative about the film.

yellow-submarine

So much had changed for the band during the previous 11 months: Brian Epstein had passed away the previous August, they (Paul, really) made their ill-fated directorial debut shortly afterward with Magical Mystery Tour, John began seeing Yoko and subsequently left Cynthia, the group became involved in Transcendental Meditation and visited the Maharishi in India, Apple Corps was launched, and recording had begun on a large batch of songs, many of which were written in India. Also, Paul (who attended the premiere alone) would officially be single a few days after the premiere when longtime girlfriend Jane Asher announced their breakup on the BBC.

Yet despite all the chaos and upheaval (or, perhaps because their involvement with the project was so limited), another Beatles product was being introduced to a public which couldn’t, and still can’t, get enough of the Fabs. The film influenced the animation art of Terry Gilliam (Monty Python), as well as children’s programs Sesame Street, the Electric Company, and Schoolhouse Rock. With its trippy, colorful animation, positive message, and of course wonderful music, Yellow Submarine continues to capture the imagination of young and old to this day.

Four of the numerous songs included in the movie were previously unreleased and had been considered not up to Beatles standard for a regular album release: Hey Bulldog, Only a Northern Song, All Together Now, and It’s All Too Much. I supposed we can attribute this to an embarrassment of riches. The latter song is one of my favorite Beatles tracks, and along with the Byrds’ Eight Miles High, it’s my favorite of the “psychedelic era.” Even what is widely considered the weakest of the bunch, Only a Northern Song, is worthy of inclusion (Harrison presented it for inclusion on Sgt. Pepper but was asked by George Martin to come up with something better, which he did with Within You Without You). The soundtrack’s orchestral score was arranged by George Martin.

A few stills:

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