July 1970 – Dave Mason Alone (Together with a Bunch of Friends)

July 1970: Dave Mason – Alone Together

There are individuals in my world of music interests whose names I heard or read often as a younger adult, who are considered to have made important contributions and are highly regarded musicians, songwriters, etc., yet when it came down to it I knew next to nothing about them or their work for a long time. Dave Mason was one of those artists. Even after I discovered Traffic for myself in the late 80’s and learned Mason was on their first few albums it still didn’t click. His best known Traffic song, Feelin’ Alright?, in my opinion is not in the same league as Joe Cocker’s cover. In my mind rightly or wrongly (o.k., wrongly), Traffic was Winwood, Capaldi, and Wood, period. Fully acknowledging my ignorance, Mason was the guy who sang 1977’s We Just Disagree, and that was about it. Yet there his name appeared in liner notes of albums by Jimi Hendrix, the Stones, Delaney & Bonnie, George Harrison, Crosby & Nash, and many others. It was a long time before I had my “ah-ha” moment with Mason, and it came a year or so ago when listening for the first time to his debut solo album Alone Together, released 50 years ago this month.

Roots Vinyl Guide

The instrumental tracks were of the somewhat standard fare for 1970, with rhythm section, keyboards, and mostly acoustic guitars and just the right touches of electric guitars on top. The best known track on the album is Only You Know and I Know, a song which Delaney & Bonnie covered. Highlights for me include the uptempo gospel influenced Waitin’ On You, the tasty acoustic guitar and keyboards of World in Changes, the acoustic guitar and piano combined on the wistful Sad and Deep as You, and the powerful closer Look at You Look at Me, which combines the best of most everything on the album onto its longest track at 7:38. My favorite track of all is Shouldn’t Have Took More Than You Gave, which closes out side one and, somewhat ironically, harkens back to Traffic. I realize I’ve just listed almost every track on the album, but yeah, it’s one of those releases. It sounds rather organic, straight forward and unfussy. It’s a solid rock album of its time, and it has aged very well.

Dave Mason – Wikipédia, a enciclopédia livre

There was much cross-pollenation on albums around this time among artists such as Delaney & Bonnie and George Harrison (on whose albums Mason appeared that same year), as well as Joe Cocker, Eric Clapton, and Leon Russell. Mason had help on this album with a list of well known musicians whose names popped up frequently around the turn of 1970’s, including drummers John Barbata, Jim Capaldi, Jim Gordon, and Jim Keltner. There were also contributions by Don Preston (Mothers of Invention, Plastic Ono Band) on keyboards, bassists Chris Ethridge (Flying Burrito Bros., Gene Clark, and many others), Larry Knechtel (see Wrecking Crew), and Carl Radle, as well as the aforementioned Delaney & Bonnie, Leon Russell and, of course, the then-ubiquitous vocalist/muse Rita Coolidge. But other than the Capaldi co-credit on the closing track, Mason was the sole songwriter. What set the better albums apart during the album rock explosion of the era was just the right batch of songs combined with just the right session players (on solo albums) and production. With Alone Together it all came together for Dave Mason. It was his peak. This one should’ve been on my shelf with those others all along.

Tracklist

Side One:

  1. Only You Know and I Know
  2. Can’t Stop Worrying, Can’t Stop Loving
  3. Waitin’ On You
  4. Shouldn’t Have Took More Than You Gave

Side Two:

  1. World in Changes
  2. Sad and Deep as You
  3. Just a Song
  4. Look at You Look at Me

-Stephen

https://www.allmusic.com/album/alone-together-mw0000193512

https://en.wikipedia.org/wiki/Alone_Together_(Dave_Mason_album)

https://en.wikipedia.org/wiki/We_Just_Disagree

https://en.wikipedia.org/wiki/Dave_Mason#Discography

July 1 – The Traffic Album that Made Me a Fan

7/1/70: Traffic – John Barleycorn Must Die

Traffic represents, to me, the quintessential turn of the 1970’s band and sound, especially one originating in the U.K. Today marks the 50th anniversary of the release of my favorite album by that band, John Barleycorn Must Die.

Traffic had dissolved after 1968’s eponymous album, with Dave Mason leaving a second time prior to its completion. Steve Winwood joined Blind Faith, and along with Chris Wood took part in Ginger Baker’s Air Force project. Wood and Jim Capaldi also did session work. Early in 1970, Winwood, still only 22 years old, returned to the studio to fulfill a contract obligation with a new solo album. But before it was completed he’d brought in fellow Traffic alumni Wood and Capaldi, and it became a new Traffic album instead, their fourth. This core trio would go on to release three additional albums.

TRAFFIC - JOHN BARLEYCORN MUST DIE DELUXE EDITION | UNCUT

The music on this album was a vehicle for Winwood’s vocals and instrumental work from keyboards to guitar, and the jazz, folk, and progressive rock influence on these sessions gave them plenty of room to spread out. Four of the album’s six songs which make up the original release exceed six minutes, but do not reach the running time of some tracks by their full on prog cousins. John Barleycorn Must Die peaked at number 5 on the Billboard 200 and was certified gold, but surprisingly only reached number 11 in the U.K.

Traffic - 1970 - Nights At The Roundtable - Past Daily: News ...

Dave Lifton, in his 45th anniversary review of the album in Ultimate Classic Rock, notes the similar vibe of the opening track, Glad, to that of jazz great Ramsey Lewis’s 1965 hit The In Crowd, and I can hear it. Glad, Freedom Rider, Empty Pages, and John Barleycorn Must Die are the songs that keep me coming back to this album, but there’s not a weak link. Chris Wood’s reed instruments are a perfect compliment to Winwood’s keyboards and vocals, as well as Capaldi’s percussion, the latter also contributing with four songwriting co-credits. The title track – a traditional British folk tune dating to the 16th century – might be my favorite as it combines all the aforementioned elements. It was covered by many British artists including Jethro Tull, Fairport Convention, and Pentangle. I was unaware until preparing this post that the song is not about a person, but the personification of a type of barley used in brewing beer and whiskey distillation.

Steve Winwood: "I always felt the need to work with the people ...

Showing my age relative to the music I cover as I tend to do, I was a Winwood fan from 1981’s Arc of a Diver onward when I was a kid. But as a youth, though I was familiar with the songs Dear Mr. Fantasy and The Low Spark of High Heeled Boys, I was mostly unaware of Traffic until my later teen years. Those were the two songs that got me interested in this band in the late-80’s, but John Barleycorn Must Die was the album that did it for me. It’s a complete package, a great album, and certainly one of my favorites by anyone in 1970.

Tracklist

Side One:

  1. Glad
  2. Freedom Rider
  3. Empty Pages

Side Two:

  1. Stranger to Himself
  2. John Barleycorn (Must Die)
  3. Every Mother’s Son

-Stephen

https://www.allmusic.com/album/john-barleycorn-must-die-mw0000197791#:~:text=Fantasy%2C%22%20but%20four%20of%20the,typical%20of%20earlier%20Capaldi%20sentiments.

https://www.bbc.co.uk/music/reviews/cfq4/

https://ultimateclassicrock.com/traffic-john-barleycorn-must-die/

https://en.wikipedia.org/wiki/John_Barleycorn_Must_Die

https://en.wikipedia.org/wiki/John_Barleycorn#Versions_and_variants

October ’68 – Another Traffic Jam

Traffic – Traffic

Today we’re revisiting an album that further put Traffic’s unique stamp on the rock music world in the late 1960’s.  In October of 1968 the band released its followup to their 1967’s debut Mr. Fantasy with a self-titled album which features two distinctly different songwriting styles brought together by the group’s excellent musicianship.

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(L-R) Chris Wood, Dave Mason, Steve Winwood, and Jim Capaldi

Band co-founder Dave Mason had left the band by the time their debut was released a year earlier due to artistic differences.  He was more interested in simpler folk-rock and pop compositions compared with the longer form, more jazz-oriented songs preferred by Steve Winwood, Jim Capaldi, and Chris Wood.  Mason subsequently produced the debut album by Family (which included future Traffic bassist Ric Grech), but was invited back to Traffic in early ’68 in time to contribute to roughly half the tracks on their second LP.  As with Mr. Fantasy, by the time Traffic was released 50 years ago this month, Mason had once again departed the group.

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Traffic, produced by Jimmy Miller, received positive reviews upon release and is considered to have aged well.  Critics such as AllMusic’s William Ruhlmann seem to agree that the album achieved a nice balance between Mason’s contributions and the more complex tracks featuring Winwood’s keyboard based melodies, Wood’s reed instruments, and Capaldi’s “exotic” percussion.  He notes that Mason’s pop oriented songs like You Can All Join In, which leads off the record, and Feelin’ Alright are more commercially appealing, whereas the others’ compositions were more enjoyable for their musicianship, including Winwood’s soulful vocals.

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Despite the directional differences between Dave Mason and the others, this is a cohesive album with their songs mixed together as opposed to isolated on two sides.  There are a few highlights for me, beginning Mason’s bouncy You Can All Join In, which welcomes the listener in for what’s to follow.  Pearly Queen features Winwood at his multi-instrumentalist best on vocals, Hammond organ, lead guitar, and bass.  Winwood and Capaldi’s Forty Thousand Headmen is one of my favorite track due to Capaldi’s percussion and Woods’s hypnotic flute.  Cryin’ to be Heard might be the best example of what this original Traffic lineup sounded like as a cohesive unit, with its heavy drums and Winwood’s keyboards standing out.  Mason’s original Feelin’ Alright is also a good one, but I feel Joe Cocker recorded the definitive version.  Interestingly, of the five tracks not written by Dave Mason, he only appears on one, No Time to Live.

Tracklist:

Side One:

  1. You Can All Join In
  2. Pearly Queen
  3. Don’t Be Sad
  4. Who Knows What Tomorrow May Bring
  5. Feelin’ Alright?

Side Two:

  1. Vagabond Virgin
  2. Forty Thousand Headmen
  3. Cryin’ to Be Heard
  4. No Time to Live
  5. Means to an End

-Stephen

https://en.wikipedia.org/wiki/Traffic_(Traffic_album)

https://www.allmusic.com/album/traffic-mw0000651445

http://ultimateclassicrock.com/traffic-second-album/